Scheda programma d'esame
SOCIOLOGIA VISUALE
STEFANO ALPINI
Anno accademico2016/17
CdSSCIENZE DEL SERVIZIO SOCIALE
Codice073QQ
CFU6
PeriodoSecondo semestre
LinguaItaliano

ModuliSettore/iTipoOreDocente/i
SOCIOLOGIA VISUALESPS/08LEZIONI36
STEFANO ALPINI unimap
Programma non disponibile nella lingua selezionata
Learning outcomes
Knowledge
Visual sociology is an area of sociology concerned with the visual dimensions of social life. The student who completes the course successfully will be able to demonstrate a solid knowledge of use images and other visual displays to analyze society and culture, includes the study of all kinds of visual material and the visual social world, and uses all kinds of visual material in its methodologies.
Assessment criteria of knowledge
- During the oral exam the student must be able to demonstrate his/her knowledge of the course material and be able to discuss the reading matter thoughtfully and with propriety of expression.

Methods:

  • Final oral exam
  • Final written exam

Teaching methods

Delivery: face to face

Learning activities:

  • attending lectures
  • participation in seminar
  • preparation of oral/written report
  • participation in discussions
  • individual study
  • group work
  • Laboratory work
  • Practical

Attendance: Advised

Teaching methods:

  • Lectures
  • Seminar
  • Task-based learning/problem-based learning/inquiry-based learning
  • laboratory
  • project work

Syllabus
From visual culture to visual sociology: image society; visual culture and visualization; images and everyday life; - The visual research: photography, video and sociology; visual research in the field; - The visual sociology "with" pictures, methodological tool (cognitive approach) for Social Research; - The visual sociology "on" images: visualization and daily life; - The sociology of cinema: the investigated reality through fiction, the transformation of Italian society analyzed through films.
Bibliography
Faccioli Patrizia, Giuseppe Losacco, Nuovo manuale di sociologia visuale. Dall’analogico al digitale, Franco Angeli, Milano, 2010. Alpini Stefano, Visioni di guerra. La fabbrica del consenso nel cinema hollywoodiano, ETS, Pisa, 2011. Alpini Stefano, Sociologia del cinema. I mutamenti della società italiana attraverso opere cinematografiche, ETS, Pisa, 2008. further bibliography will be indicated: VALANTIN J.M. (2005), Hollywood, il Pentagono e Washington. Il cinema e la sicu-rezza nazionale dalla seconda guerra mondiale ai giorni nostri, Fazi, Roma. SORLIN P. (2001), Cinema e identità europea, La Nuova Italia, Milano. MARTELLI S. (1996), Videosocializzazione. Processi educativi e nuovi media, Angeli, Milano.
Ultimo aggiornamento 14/11/2016 17:27