Scheda programma d'esame
ITALIAN MUSIC
CARLO GIORGIO LANFOSSI
Anno accademico2019/20
CdSINTERNATIONAL PROGRAMME IN HUMANITIES
CodiceL1479
CFU6
PeriodoPrimo semestre
LinguaItaliano

ModuliSettore/iTipoOreDocente/i
ITALIAN MUSICL-ART/07LEZIONI36
CARLO GIORGIO LANFOSSI unimap
Programma non disponibile nella lingua selezionata
Obiettivi di apprendimento
Conoscenze

What is “Italian” about Italian music? What do Italians think about their own music, and what is its image/sound abroad?

The course aims to answer these questions by engaging with several musical genres (opera, instrumental, pop music, film music, folk), discussing interconnected topics (politics, economy, culture, and so on) and listening to a wide variety of music.

Italian music is engrained in public and private rituals and connects people across the world and across the vast community of history. Yet while we know that we like Italian music, and that it has a certain effect on us, it is often difficult to determine why, and harder still to explain what it is that makes its sound “Italian”. This course takes on those issues. It aims to introduce you to a variety of music, and a range of ways of thinking, talking, and writing about Italian music. We will explore music as a cultural phenomenon, considering what music has meant for different people from different societies across the ages and across geographical boundaries.

 

Capacità
  • To connect music as you hear it to culture and history, in addition to making connections between music and other disciplines (literature, drama, art, economics, technology, etc.).
  • To contribute to the classroom experience by participating openly and collegially, working with each other to make the course enjoyable and intellectually rigorous.
  • To experience the history of Italian music as a culture different than your own, to see music as emerging not from a vacuum but as one strand in the fabric of society.
  • To combine auditory perception with intellectual thought--i.e. becoming a close and attentive listener.
  • To engage with the history of music in Italy, acquiring essential information on historical context, major--and minor--works, composers, styles, and genres.
Modalità di verifica delle capacità

Presentation: 25% of the final grade

Each student will be asked once (throughout the entire course) to present on a topic related to the class and previously arranged with me.

Opera/recording review: 25% of the final grade

Before the end of the course, you will write a 1-page report on a piece you have either attended in person at a concert or through a recording. More info during the first class.

 Final written exam: 25% of the final grade

The exam will be based on the readings and topics covered in class.

Comportamenti

I value participation in the class as an active contribution to the general discussion and to specific tasks. Don’t be afraid to raise your hand during lectures, group assignements, or other activities.

Modalità di verifica dei comportamenti

Class attendance: 25% of the final grade.

 

Prerequisiti (conoscenze iniziali)

No previous knowledge of music theory is requested.

Corequisiti

None.

Prerequisiti per studi successivi

None.

Indicazioni metodologiche

Classes will feature lectures, group discussions, brief assignments, and guided listenings.

Programma (contenuti dell'insegnamento)
  • Day 1 – Introduction to the notion of “Italian Music” and its role in the construction of “Italy” as a nation
  • Day 2 – Italian Opera
  • Day 3 – Italian Classical Music
  • Day 4 – Italian Popular Music and its Songwriters
  • Day 5 – Italian Folk and World Music
  • Day 6 – Italian Film Music
Bibliografia e materiale didattico
  • Nicholas Cook, Music: A Very Short Introduction, Oxford: Oxford University Press, 1998.
  • Philip V. Bohlman, World Music: A Very Short Introduction, Oxford: Oxford University Press, 2002.

 

Other bibliography will be made available online, together with the Powerpoint slides which I will upload right after class for you to study at home.

Modalità d'esame

Final written exam.

Note

Commissione d'esame: Carlo Giorgio Lanfossi, Alessandro Cecchi

Ultimo aggiornamento 14/02/2020 18:24